Barren Land is the story of three friends. All three trapped between the abandonment of the institutions, the violent and unstoppable rise of the narco in the province and the dangerous increase of social discontent. Three friends trapped in a powder keg that will test their friendship.

Today the weather was warm. I dressed warmly. At three o’clock, I made a candle at Anya’s—and then drowned it. I’ll chat with you, and then I’ll have some nuts. You were right about Anton wanting to kiss me. He and Natasha had a fight, but they made up. We didn’t have any porridge, so we ate cottage cheese with jam instead. If you were here, you’d cook, remember? Yura’s back is sore because he’s always hunched over. There was fog today. At the street near the Circle. The foggy dew. For lunch, we had pasta and cheese. I helped Oksana cut it. She called me clumsy after I ran to the barn in a dress, slipped, and—bang!—landed in the mud. The moment I pick up Dasha in my arms, Masha wants to be held too. No bingo tomorrow; we’re taking a break. Time to rest. Goodnight. Talk to you sometime; not today.

A young surgeon and a nurse working at a hospital fall in love, but numerous trials stand in their way.

暂无剧情简介

暂无剧情简介

暂无剧情简介

Land is the story of a farmer who sells his soul to the devil for power over the weather, resulting in a cosmic battle of elemental human desire. Set at the historic Crossroads in Clarksdale, Mississippi, it is a loving portrait of the filmmaker's hometown. It is a celebration of the marriage of language and love, whose union transforms perception.

The Amazonian jungle, Brazil, 1987. Ruthless landowners are evicting peasants from their land. The peasants look to the priest for help, and are contemplating taking up arms. A stranger arrives who provides an answer to their plight.

In the animation Mother Land, the Yates, a nomadic tribe of Tundra, adhere to the traditional lifestyle despite the conciliatory and coercion of development. A little girl, Krisha; her younger brother, Kolya; and her mother and father live happily in the traditional way. However, one day, while her mother is ill and her father goes to the city to get medicine, Krisha and Kolya head out to ask for help from Red Bear, the sacred spirit and owner of the land. Although the film’s story is told through stop motion animation, the feelings it stirs equal and even extend beyond that of live action. Exotic imagination, narratives of nature and human confrontation, brother and sister′s adventures, excellent descriptions of forests, glaciers, snowfields, caves, and aurora, and accurately conceived and refined shorts all enrich Mother Land. It is such a lyrical and exciting stop-motion animation.